In Cannes, Scorsese and DiCaprio turn spotlight toward Osage Nation

CANNES, France (AP) — It was well into the process of making “Killers of the Flower Moon” that Martin Scorsese realized it wasn’t a detective story.

Scorsese, actor Leonardo DiCaprio and screenwriter Eric Roth had many potential avenues in adapting David Grann’s expansive nonfiction history, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI.” The film that Scorsese and company premiered Saturday at the Cannes Film Festival, however, wasn’t like the one they initially set out to make.

The film, which will open in theaters in October, chronicles the series of killings that took place throughout the Osage Nation in 1920s Oklahoma. The Osage were then enormously rich from oil on their land, and many white barons and gangsters alike sought to control and steal their money. Dozens of Osage Native Americans were killed before the FBI, in its infancy, began to investigate.

DiCaprio had originally been cast to star as FBI agent Tom White. But after mulling the project over, Scorsese decided to pivot.
“I said, ’I think the audience is ahead of us,” Scorsese told reporters in Cannes on Sunday. “They know it’s not a whodunit. It’s a who-didn’t-do-it.”

The shift, filmmakers said, was largely driven from collaboration with the Osage. Osage Nation Chief Standing Bear, who consulted on the film, praised the filmmakers for centering the story instead on Mollie (Lily Gladstone) and her husband Ernest Burkhart (DiCaprio), the tragic romance at the heart of Scorsese’s epic of insidious American ethnic exploitation.

“Early on, I asked Mr. Scorsese, ’How are you going to approach the story? He said I’m going to tell a story about trust, trust between Mollie and Ernest, trust between the outside world and the Osage, and the betrayal of those trusts,” said Chief Standing Bear. “My people suffered greatly and to this very day those effects are with us. But I can say on behalf of the Osage, Marty Scorsese and his team have restored trust and we know that trust will not be betrayed.”

“Killers of the Flower Moon,” the most anticipated film to debut at this year’s Cannes, instead became about Ernest, who Scorsese called “the character the least is written about.”

DiCaprio, who ceded the character of White to Jesse Plemons, said “Killers of the Flower Moon” reverberates with other only recently widely discussed dark chapters of American history.

“This story, much like the Tulsa massacre, has been something that people have started to learn about and started to understand is part of culture, part of our history,” said DiCaprio. “After the screenplay, from almost an anthropological perspective — Marty was there everyday — we were talking to the community, trying to hear the real stories and trying to incorporate the truth.”

“Killers of the Flower Moon” premiered Saturday to largely rave reviews and thunderous applause nearly 50 years after Scorsese, as a young filmmaker, was a sensation at Cannes. His “Taxi Driver” won the Palme d’Or in 1976.

Among the most-praised performances has been that of Gladstone, the actor of Blackfeet and Nimíipuu heritage.