At a pugnacious Oscars, Apple's feel-good 'CODA' triumphs

After a movie year often light on crowds, the Academy Awards named an unabashed crowd-pleaser

LOS ANGELES (AP) — After a movie year often light on crowds, the Academy Awards named an unabashed crowd-pleaser, the deaf family drama “CODA,” best picture Sunday, handing Hollywood’s top award to a streaming service for the first time in a ceremony that saw the greatest drama when Will Smith strode onstage and slapped Chris Rock.

Sian Heder’s “CODA,” which first premiered at a virtual Sundance Film Festival in winter 2021, started out as an underdog but gradually emerged as the Oscars’ feel-good favorite. It also had one very deep-pocketed backer in Apple TV+, which scored its first best picture Academy Award on Sunday, less than three years after launching the service.

It also handed another near-miss defeat to Netflix, the veteran streamer that for years has tried vainly to score best picture. Its best chance, Jane Campion’s “The Power of the Dog,” came in with a leading 12 nominations. It won one, for Campion’s direction.

But “CODA” rode a wave of goodwill driven by its cast including Marlee Matlin, Troy Kotsur, Emilia Jones and Daniel Durant. It’s the first film with a largely deaf cast to win best picture. “CODA” managed that despite being one of the least-nominated films with only three coming into Sunday. Not since 1932’s “Grand Hotel” has a movie won best picture with fewer than four nods.

Kotsur also won best supporting actor to become the first male deaf actor to win an Oscar, and only the second deaf actor to do so, joining his castmate and “CODA” co-star Matlin.

“This is for the Deaf community, the CODA community and the disabled community,” said Kotsur, signing from the stage. “This is our moment.”

Many, though, were talking about another moment. After Rock, as a presenter, joked to Jada Pinkett Smith that he was looking forward to a sequel to “G.I. Jane,” Will Smith stood up from his seat near the stage, strode up to Rock and smacked him. After sitting back down, Smith shouted at Rock to “keep my wife’s name out of your (expletive) mouth.” When Rock, who joked about Jada Pinkett Smith while hosting the Oscars in 2016, protested that it was just a “GI Jane” joke, Smith repeated the same line.

“That was the greatest night in the history of television,” Rock said, before awkwardly returning to presenting best documentary, which went to Questlove’s “Summer of Soul (...or When the Revolution Was Not Televised).”

The moment shocked the Dolby Theatre audience and viewers at home. At the commercial break, presenter Daniel Kaluuya came up to hug Smith, and Denzel Washington escorted him to the side of the stage. The two talked and hugged and Tyler Perry came over to talk as well.

Smith, who plays Venus and Serena Williams’ father in “King Richard,” later in the show won best actor, his first Oscar. So Smith again took the stage shortly after what seemed likely to be one of the most infamous moments in Academy Awards history. His acceptance speech vacillated between defense and apology.

“Richard Williams was a fierce defender of his family,” Smith said in his first remarks. Smith then shared what Washington told him: “At your highest moment, be careful because that’s when the devil comes for you.”

Ultimately, Smith apologized to the academy and to his fellow nominees.

“Art imitates life. I look like the crazy father” said Smith, chuckling. “But love will make you do crazy things.”

After the show, the Academy of Motion Pictures Arts and Sciences issued a statement saying it “does not condone violence of any form.” The Los Angeles Police Department said it was aware of a slapping incident at the Oscars but said the person involved had declined to file a police report.

Up until then, the ceremony — fashioned as a revival for the Oscars and the movies — had been running fairly smoothly. Ariana DeBose became the first Afro-Latina and openly LBGTQ actor to win an Academy Award for supporting actress. Jane Campion won the Oscar best director for “The Power of the Dog,” her open-plains psychodrama that twisted and upended western conventions.

Campion, who had been the first woman ever twice nominated in the category (previously for 1993’s “The Piano”), is only the third woman to win best director. It’s also the first time the directing award has ever gone to women in back-to-back years, after “Nomadland” filmmaker Chloé Zhao won last year.

Best actress went to Jessica Chastain, who also won her first Oscar. Chastain won for her empathetic portrayal of the televangelist Tammy Faye in “The Eyes of Tammy Faye,” a movie she also produced.

After record-low ratings and a pandemic-marred 2021 show, producers this year turned to one of the biggest stars around — Beyonce�